- CYTOMIC THE GLUE VS UAD HOW TO
- CYTOMIC THE GLUE VS UAD FULL
- CYTOMIC THE GLUE VS UAD SOFTWARE
- CYTOMIC THE GLUE VS UAD PROFESSIONAL
All three models capture the essence of each generation and sports their own dedicated signal path and control set. Based on three different variable-mu style compressors, the MJUC delivers some serious tube compression. The MJUC is is the result of several extensive years of research and development. Load the UBK-1 on your master bus and witness your mix come alive! The Density engine adds an extra level of frequency-selective compressor/harmonic saturation that works great for targeting the mids or highs with a switch. The UBK-1 is also capable of providing warm analog-esque saturation for treating all varieties of sound in your mix.
This satisfyingly great compressor also features a highpass sidechain filter to dial in paranormal shapes of compression resulting is coercive movement and dynamic motion. The UBK-1 is based on Kush’s famous FATSO compressor and comes equipped with three engines that give you amazing control over Saturation, Compression, and Density. Read more at FabFilter Kush Audio | UBK-1 This more modern compressor sports an innovative interface and is equipped with flexible sidechaining and routing options, useful program-dependent presets, and advanced controls for achieving high-quality compression. The Pro-C 2 is a workhorse that delivers precise compression but does not color the sound like many favorite analog modeled compressors. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping, this high-quality compressor can do the job. The FabFilter Pro-C 2 has been receiving a lot of great reviews and has become widely used by many demanding engineers. Read more at Slate Digital FabFilter | Pro-C 2 The FG-MU captures the renowned sound of the classic Fairchild 670 and the Manley Vari Mu.
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The FG-GREY is modeled after the classic British “4000 series console compressor” and is ideal for tightening and “gelling” full mixes and group busses. The FG-RED is modeled after Focusrite’s classic Red compressor and is ideal for bringing your drums to life. The suite includes the FG-RED, FG-GREY, and FG-MU compressors.
Every nuance of real analog compressors has been modeled, including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing. Virtual Buss Compressors is a suite of three unique-sounding dynamic processors, all 100% modeled after top analog mastering gear. Read more at Universal Audio Slate Digital | Virtual Buss Compressors The 33609 is an excellent bus compressor/limiter and excels at treating drums and vocals Every detail of the original unit is captured and matches its hardware counterpart with absolute precision.
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The UAD Neve 33609 is the only Neve-sanctioned software recreation of the Neve 33609 (rev C). The uniquely musical character of this circuit has made the 33609 a studio standard since its release.
UAD | Neve 33609 / 33609SEĭerived from the original Neve 2254 compressor, circa 1969, the 33609 stereo bus compressor/limiter utilizes a bridged-diode gain reduction circuit and many custom transformers.
CYTOMIC THE GLUE VS UAD HOW TO
For those who are unfamiliar with compressors, having a good grasp of the basics will go a long way toward understanding how compression works, and how to apply this essential treatment to your advantage. Alternately, over-compressing your music can ultimately squeeze the life out of your mixes causing them to lose punch and clarity. Compression can also be used to subtly treat a track to make it more natural sounding and intelligible without adding distortion, resulting in a song that’s more “comfortable” to listen to. In addition, many compressors have a characteristic signature sound that can be used to inject coloration and tone into otherwise lifeless tracks or mixes. The use of compressors can make recordings and live mixes sound more polished by controlling maximum levels and maintaining higher average loudness.
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This Dubspot Top Picks guide features a selection of our favorite compressor plugins based on professional quality sound, characteristics, and affordability.Ĭompressors and limiters are specialized amplifiers used to reduce the dynamic range of a signal, which is the span between the loudest and softest sounds.